It’s alright. You can lean back from the edge of your seat. Our year-end lists are coming to their long, drawn-out conclusion in the form of our favorite mashes of 2009. It was certainly the year of the long-form mashup, with not one but two fantastically different and perfectly executed albums dropping, both of which placed in our favorite albums.

The list sort of reads like it was intended to just be our favorite Hood Internet tracks, but I’m going to go ahead and blame that on the fact that there is no one out there executing as effectively or consistently as those guys, and I really do think they’ve earned all 3 of the spots on this list (and I should probably mention that my own list had “Comfortable Up In Here” filling out the #5 spot, so I’m certainly 100% behind anything and everything Hood releases). Anyway, enjoy, and then help me in looking forward to 2010’s exciting first quarter releases.

• #5: Hathaway – “Party and Bullshit in the USA” – There are some mashups that exist only out of the hilarity of their titles — in fact, for a long time, that was what I thought the most of mashups were, due mainly to icebergxc’s constantly asking me (way back in 07) if I’d heard “Walking in Memphis Down The Boulevard of 99 Broken Problems” or “Kiss You Through the Bananaphone” or “Yoshimi Battles the Pink Panther” — and this one certainly exists out of the merits of its overlapping titles. The strange part is that it works. Really well. Maybe it’s because everyone loves the synth backing of “Party in the USA” or we all like to shout “I’m a bad boy” along with Biggie. Or both. Sometimes, though, it’s best not to question, and to instead complacently enjoy “could you be kicked, pushed, loved, and then take on me while running so far away.” – Edward

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Hathaway – Party And Bullshit in the USA (YSI)

• #4: The Hood Internet – “Cult Logic Forever” – This is a great mashup without a hint of kitsch. “Forever,” on its own, is a disappointment. It’s got the right rappers, but the beat wrecks it mercilessly with sirens and other garbage noise. Stripping the mess off and bringing it up to speed with some talented instrumental from Miike Snow was the best thing that has ever happened to it. Now it’s as smooth as it is sharp and hangs together tighter than BFFs sharing a straightjacket. – icebergxc

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The Hood Internet – Cult Logic Forever (YSI)

• #3: The Hood Internet – “Make The Loop Say Aye” — I’ll admit it: I was one of the Vampire Weekend fanboys who nearly peed his pants the first time he heard “Osaka Loop Line.” I thought Discovery’s LP was going to be my favorite album of 2009. And I swear to god, the tattoo pen was not inches from my upper thigh when I finished the cd for the first time and realized that it was definitely not ink-worthy. But, as the saying goes, those that can’t do teach. And those who don’t know that “who” is the personal pronoun probably shouldn’t be calling others inept. And those who may not have the force to sustain your interest on their own ought to be mashed up. Yes, the song ruled on its own. But this was the late-inning pep-talk it needed. In October, long after I had grown tired of Discovery (although the fantastically polyrhythmic “So Insane” even to this day continues to impress me), I heard this for the first time, and my faith was restored. The Hood Internet perfectly match breaks and builds in every song they assemble, though this may showcase it the best. Beauty, grace, Ms. Mashup #3 of 2009, ladies and gents. – Edward

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The Hood Internet – Make the Loop Say “Aye” (YSI)

• #2: The Hood Internet – “Two Weeks of Hip-Hop” — As Matthew Whipple of the 2009 breakout Cymbals Eats Guitars said, “[“Two Weeks” is] pure ear candy… what a song… I want to be Chris Taylor’s bass line.” So when the Hood Internet’s ABX threw Dead Prez over one of the best songs of the year, chaos ensued in the form of “Two Weeks of Hip Hop.” The opening features two of my favorite intros of all time, the now classic keyboard progression of “Two Weeks” and Dead Prez yelling, “it’s bigger than hip hop, hip hop, hip hop.” The track seamlessly combines genres in a strikingly natural fashion, one which I believe Ethan Ward once said was the ideal goal of mashups (clearly he’s the freaking authority on this matter). A few of my stunningly brainless friends even believed “Two Weeks of Hip Hop” to be the original (don’t fear, I no longer associate with those morons). But in their defense, this is because the two wildly disparate tracks come together like Ben & Jerry’s delicious and all-natural Half Baked to create earth-shattering awesomeness. -DFJacobs

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The Hood Internet – Two Weeks of Hip-Hop (YSI)

• #1: E-603 – “If You Wanna” — On ‘If You Wanna’, international superstar E-603 saves a potentially generic mash-up affair from mediocrity by adding the only possible ironic element to a mash-up: a narrative. Mash-ups and bootleg, by definition, are anti-narrative, deconstructing source texts and transforming them into a work that is based in pure aesthetics. Taking a vocal sample and chopping out pieces and parts, as E-603 does at the beginning of the track, leaves you with nothing but a glorified DJ set. But by adding the song long crescendo, ending with the full story of City High’s gritty ‘What Would You Do?’, the song develops a more full structure that leaves the listener in awe of E-603’s ability to create true songs, rather than mere mash-ups. Bringing the song’s two distinct parts together is a fantastic showcase of technical ability, in what one internet critic called, “some of the most fluid mixing I’ve heard.” A sublime track in itself, it is by far the most accurate representation of E-603’s mature mash-up opus.- Marquis Meowmers

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E-603 – If You Wanna (YSI)

Related posts:

1. Revenge of the Hood Internet: the First Animal Collective Mash-up I like.
2. Top 10 Songs of 2009
3. Wasn’t the Fourth of July Yesterday?

You son of a bitch.

It’s been a long, hard fight, but I’m giving up. You win this time, Owl City. Your shittastic, Postal Service-ripoff top-10 single “Fireflies” has bored a hole through my skull and penetrated the deepest recesses of my cranium. The meaningless lyrics of the song will continue to worm their way through the soft gray mass there until I’m so numb to overpopularity that I’ll round up a group of friends to record a webcam tribute video to “I’m On A Boat” and put in on youtube under the username ***<3TEAMJACOB!OREDWARD!ICAN’TMAKEUPMYMIND,YA’LL!<3***

I’ve read enough Sophocles wikiquotes to know that it’s my sad fate to kick against the pricks for the remainder of my drudge-working mortal existence. Well, this time I’ve lost. Pricks: 1; Edward: 0. But I’m not raking out my eardrums yet.

Here’s the thing: I can’t make “Fireflies” cease to be catchy. It’s like telling NBC’s hit sitcom F-R-I-E-N-D-S (now in syndication on TBSveryfunny) to stop being so HILARIOUS. “Joey ordered two pizzas?? For himself??? I can hardly eat a pizza by myself!!! Even if my cats help!!!!!! THIS IS SO FUNNY.” In a lot of ways the show and song are very similar: they’re like the Olsen twins, especially because one noticed that her career was over and died (RIP MKO). I loved the Postal Service and Friends with equal passion in 2003, but then 2004 rolled around we were all like “Go Sox!” or whatever. But here’s the harsh light of day: we can’t all watch Joey for the rest of our prick-kicking lives. The seasons go round and round, and we wonder why that’s the only Joni Mitchell song our friends know.

So, this is what is: we’ll indulge for a little. Then we’ll pretend like this song never happened. I’ve provided a few transition songs, including my favorite mashup of fall 2009, “Cult Logic Forever,” and my favorite remix of the final days of August from this past summer. Enjoy. But consider yourselves warned. You’re entering into highly contagious musical territory.

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Fireflies – Owl City (YSI)

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Cult Logic Forever (Drake feat. Kanye West & Lil Wayne vs. Miike Snow) – The Hood Internet (YSI)

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Waking Up In Vegas (Calvin Harris Extended Remix) – Katy Perry (YSI)

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The Sweet Nectar of Corn Syrup

As I sit patiently at the computer, waiting for the clock to strike midnight so that I can finally get my hands on Battle Studies (see bonus track, Bruce favorite “I’m On Fire”), I listen to the harmonious sounds of Scandinavia. If I told my parents I was listening to the sweet sounds of Sweden, they’d immediately assume I was being serenaded by 70’s pop sensation ABBA or possibly the Cardigans. And while ABBA is great (Yeah I said it, what? Listen to “Does Your Mother Know” and tell me they’re not classy), Sweden has a new generation of musical luminaries, who happen to be far more respectable to the average hipster than their predecessors.

The young Swedish indie elite include the likes of Lykke Li, Jens Lekman and Miike Snow (and many more, most notably Air France and Robyn). Ms. Li who is featured on many classics such as N.A.S.A’s “Gifted,” Drake’s “Little Bit” and, of course, her critically drooled over LP, Youth Novel. While I almost passed along Youth Novel’s hit single “I’m Good, I’m Gone,” which really is quite grand, I’ll leave you with a more recent release, the Rodeo remix of Kings of Leon’s “Knocked Up,” which is taken to the next level by the Swedish gem.

Jens Lekman, perhaps my favorite of the Swedish Phish (Woah, pun fiesta), quickly wins over any hipster who snags a copy of Night Falls Over Kortedala. His unmistakable voice coupled with a big band creates infectious and brilliant tracks. On “A Postcard to Nina,” he sings about meeting a pen pal for the first time in Germany. I won’t ruin the song, but suffice to say, the lyrics tell a hilarious, Larry David-esque story. His encounter with the girl’s father is so awkward, culminating in the moment when, “I put my hands on a metal object/ He jokes and tells me it’s a lie detector.” It’s a creatively crafted song with fantastic horns and a dreamlike introduction. And, for those of you itching for more of “Lekman the Lethario,” check out “The Opposite of Hallelujah” and “Your Arms Around Me,” both off of Night Falls Over Kortedala.

Finally, Miike Snow has been receiving quite a bit of press, in addition to a plethora of samples (see “Cult Logic Forever” by the Hood Internet). The producers turned artists of Miike Snow have not been receiving the same love from the critics as their country woman Ms. Li, but in their defense, who even reads Pitchfork anymore? Snow dominated the hypemachine for a long while, proving that the blogosphere’s wannabe elite do not always speak for listeners everywhere (full disclosure: I am an avid reader of Pitchfork and quite often a big fan). As all of you readers remember, Edward has already given you their outstanding “The Kids Don’t Stand a Chance” remix, as well as their hit “Animal.” So, I’m going to combine the two, and give you the Crookers remix to “Animal” (Both a remix and an “Animal”). A decent song in its own right, Crookers steps it up to turn this track into a keeper, just like they did with Kudi’s “Day n Nite”.

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Knocked Up (Lykke Li vs. Rodeo Remix) – Kings of Leon (YSI)

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A Postcard to Nina – Jens Lekman (YSI)

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Animals (Crookers Remix) – Miike Snow (YSI)

Related posts:

1. We Should All Be So Lucky to Find Something in This World That Makes Us This Catchy
2. Live, on air, it’s The Animal Show show (Now with a playlist!)
3. Welcome to the New Site!

The Animal Show does not and never will condone violence against any creature on the Earth. But, c'mon dudes, it's Tintin!

I can hear your thoughts. Fact. And I hear you thinking, “where the hell is Edward? Did that bastard ditch us again?” Shut up, mind noises. I’m right here. In fact, I’ve been sitting right here for the 2 weeks since I last posted. DOING WORK. Do you know what that’s like? No, you don’t, because you waste all your time reading WEBSITES. Laaaaaaaame. Seriously, I’ve been doing meaningful shit. Like analyzing pure monadic schemata. How much schematic analysis have you done recently? That’s what I thought. But now I’ve come out of the logical woods and back into civilization, arms full of musical goodies to distribute while you’re asleep, like Santa but with creepier facial hair. So leave your stockings near your router, because here I come.

First, it’s time for a hats off to Dave, for covering my absence so ably and wordily. He enlightened us with some pretty sick Arcade Fire b-sides, hit us with a NASTY Sufjan mash-up, and titled a post so well, I thought I was about to read some Magic Tree House fanfic (not the first time I’ve been disappointed by not finding some Magic Tree House fanfic). More importantly, however, Dave did the important work of reintroducing some oft-mentioned, never (til now) realized Animal Show features, namely album reviews. I’ve got a couple in the pipe, that I’m going to hit you with early next week (NEW SUFJAN NEW SUFJAN NEW SUFJAN). But first, I’munna bust you in the face with some JAMS. ANIMAL SHOW STYLE.

Ladies and Gentlemen, welcome back to the often-maligned but never forgotten Audio Safari! I set the bar pretty high there with how much I liked the Silver Sea’s “Imaginary Girl” (and if you don’t have that song, you should immediately click the link above and go download it and listen to it a million bajillion times and then burn it onto mix cds for all your friends, drawing hearts and stars around it on the enclosed tracklist). But I still stand behind these songs. They rule. Like them. Now.

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Flashing Lights (High Contrast Remix) – Kanye West (YSI)

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Never Chasing Pavement (Urban Noize Remix) – Jay-Z feat. Adele and Kanye West (YSI)

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Sleepyhead (The Knocks Remix) – Passion Pit (YSI)

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The Kids Don’t Stand a Chance (Miike Snow Remix) – Vampire Weekend (YSI)

Keep your eyes peeled for my promised review of Late for the Sky, as well as much BQE goodness.

Related posts:

1. Audio Safari!
2. Is It Time For An Audio Safari Again? Yes, Yes It Is Time For An Audio Safari Again.
3. Poker Face? I hardly know her!

NB: In all seriousness, I've never actually used the Pirate Bay to get music. It stands as a handy image representation, though.

I was reading an article on my Kindle* today from USA Today** that suggested that 95% of music downloaded via the internet was stolen. At first I was outraged, and then I reasoned out that, if the Animal Show represents 95% of the traffic on the internet (and it does) and the Animal Show supplies music free of charge (and it does), then it would make sense that the 95% of the music downloaded on the internet came from the Animal Show, and was therefore stolen. Right?

In all seriousness, the proliferation of music piracy represents something much bigger than falling album sales — customers (like you and me) are perceiving less value in an album of music than they did 9 short years ago. Listening is beginning to be seen as a right, not a privilege. I often rationalize blogs like the Show as the radio of the 21st century (because this helps me sleep at night), which is a parallel that only makes sense up to a certain point: while the internet undeniably provides fora for new music to be heard and enjoyed, it also provides unparalleled access for free. As a blog-reader, I’m going to go ahead and assume you have a relatively high amount of tech-savvy. Therefore, you would know that finding and enjoying new music doesn’t take the path that I am forced to act that it does. I’ve seen the click-through data for the Amazon links I put at the bottom of each post, and can say with some degree of certainty that they end up having basically no impact on the album sales for the artist I’m writing about. And I don’t mean in terms of “album sales” (ie on a scale of thousands or more), but instead in absolute terms — if I’ve made a post where 10 out of the 1000+ people who read it click through to Amazon to even think about buying the album, I’m doing something right. And to shoot for a 1% success rate is somewhat depressing.

But I know that, as tech-savvy readers (and, theoretically, as music lovers) you have sought out more from artists whom I’ve posted about and whom you enjoyed. Instead of purchasing their music, this takes the form of downloading the album from any number of free sources, from torrent servers like The Pirate Bay (which is dumb, and you shouldn’t do it) to online hotspots like megaupload, Yousendit, or mediafire (which provide the more intelligent way to download).

Is this worrisome? Yes. Certainly. Do I use these services? Yes, all the time. I’m proud of the fact that I spend the most considerable portion of my disposable income on music, whether it’s concert tickets, merchandise, or albums. But I simply don’t really believe in paying for digital music. Like most consumers, I want to be able to hold in my hand the item I’ve laid money out for. As a result, I probably end up buying 25% of the albums I consume. Sometimes I’ll download first and then buy and sometimes I’ll never buy. I don’t feel bad about it. I’ve grown tired of spending $18 on an album which I don’t know if I’ll enjoy. It’s much lower risk to download and delete bad albums. Hard drive space is hardly at a premium. For a long while I’d been an outspoken supporter of buying cds (which the amount of near-worthless plastic cluttering my room at home can attest to), but I’m growing tired of trying to right a sinking ship by throwing money at it.

I’m writing about this mainly because I think there are a lot of interesting issues in the music business that need discussion, and, as music bloggers and consumers of music blogs, we are the decisionmakers, tastemakers, and, at the most basic level, thieves. Again, I’m not losing much sleep at night, but that’s also because I’ve convinced myself that artists make music, first and foremost, to be heard. Not to make money. They have to earn a livelihood, definitely, but I’d bet that 98% of the up-and-comers playing weekly club-stays would say that they’d rather see a full house of people who hadn’t payed than a 60% capacity crowd that had.

This is an issue we at the Show are going to be coming back to with some semblance of frequency (fortnightly? monthly?) to discuss, from each of our different perspectives. Hopefully it’ll be really rewarding for you, the listener. Or it’ll strengthen our already-impressive bounce rate, as more people coming from Hype Machine for the songs stick around for the words. Writers are like musicians in that they want to be read. Jot that down.

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Krazy Day N Nite (Pitbull vs. Lil Jon vs. Kid Cudi vs. Crookers) – A plus D (YSI)

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My Girls (Gigamesh “Proper House” Remix) – Animal Collective (YSI)

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Animal – Miike Snow (YSI)

*Nobody actually owns a Kindle

**Nobody actually reads USA Today

Related posts:

1. Revenge of the Hood Internet: the First Animal Collective Mash-up I like.
2. The Phantom Hood Internet
3. The Hood Internet Strikes Again!